Mulaney may be best known for their work in sketch television (“Kroll Show,” “Saturday Night Live”). They are, in other words, of a species whose natural habitat is the theater, where make-believe is a bargain between performers and audiences. But while these actors’ geriatric get-ups are as blatantly fake as the old-age makeup in a grade school production of “Arsenic and Old Lace,” Gil and George (if I may be so familiar) possess an insistent, overbearing reality that turns their creators into shadows. Geegland are fictions, the alter egos of the comedians Nick Kroll and John Mulaney, who are both in their 30s. What’s more, they’re losers (sorry, boys) in a city where success is the holy grail. This wheezing, cranky, incontinent pair of roommates from the Upper West Side are bringing shabbiness back to sanitized, glamorized Times Square. Geegland, whose “Oh, Hello on Broadway” opened on Monday night. Give it up, ladies and gentlemen, for Gil Faizon and George St. They are an army of only two, yet they seem destined to conquer and slay anyone who ventures into the Lyceum Theater, where they have set up their festering - and, admit it, stupendously entertaining - camp. The dirty old men have occupied Broadway.
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